Subjective Evaluation Criteria of Sound System Sound

Whether the microphone of the audio system can be sang well and the sound quality of the sound is beautiful must be the personal feeling of the singer, rather than the subjective evaluation of various listeners and audio workers. If these people are to be evaluated, he must pick up the microphone and earnestly sing several songs, and he can clearly understand his own vocal characteristics, arpeggio conditions, phrase processing skills, etc. It's very easy to over-render. In other words, only the person who has picked up the microphone to sing can evaluate how the microphone behaves. Of course, someone has a very high level of experience. Regardless of whether they are others or themselves, one or two words will tell how the microphone performs. This is another matter.

Good audio equipment does not necessarily have good sound performance. With good sound performance, the microphone does not necessarily sing well. It depends on the level of the sound engineer and professional cultivation. It is the truth to listen to good singing.

The microphone is easy to sing, and the singer can control his own voice and timbre. With any details, the gully can be properly modified and helped. He can get details and features when singing softly and sing. The treble is loud and it feels more than enough to open the microphone. This is what the vocal microphone should have. This is a comprehensive performance of systems and technologies and is indispensable. Whether you are a professional or an amateur, as long as you are a singer, as long as you are a regular singing speaker, whether you sing well or not, you will evaluate whether you can sing, you will feel good sound will make you play it out, Otherwise, you feel like you're just finishing a singing task without the desire to sing.

Many sound engineers rated the singer as too professional or unprofessional. Putting karaoke singing as a popular thing does not need to beautify the profession, and it will not be effective. Non-professionalism will greatly increase the effect and make it "three days". This is the stereotyped sound of audio technology for many years. It is not credible and undesirable. The tuning of microphones and electro-acoustic instruments in live sound is technically very high work. A bad sound system, you play a Jacky Cheung's CD. Few people say that sound is not good, and no one says it is difficult to sing. Because Jacky Cheung did not sing, he was not tired at all and was not uncomfortable. This is our theory: Sound quality is good for people with microphones.

Some people say that evaluation sound is very abstract, radish greens have their own love, you think that good sound, some people think that is very poor. You think the poor sound is said to be good. This situation is there, there is no good use of the sound to practice the ear, but why they learned so much sound theory, good sound must be made into the people's commune brigade bowl, but also the shelf is the sound Voice, but also highlight the so-called vocals, and finally the entire band only 200-3Khz, 500hz also engaged in a large grasshopper. It took a lot of money to install a large-scale high-end KTV, carefully selected, and used first-rate brand audio equipment to become a brigade club, which is to train the ears of many young people! This is like driving a BMW car. To find the feeling of riding an oxcart, say that BMW is not as good as an oxcart.

With the rapid development of audio technology, new equipment emerges in an endless stream, new technologies continue to be applied, and audio system's high-level indicators are easily realized. In the era of Teresa Teng, cassette tapes have long been outdated, but Teresa's singing can only be performed better with today's technology. In the past, many of our actors did not have a good sound system on the stage and did not have such a good sounding effect today. On the stage, in addition to the accompaniment, they were the real skills they had practiced. Sometimes the accompaniment was too small or too big to know. More painful things. There is an old Chinese theater in Tianjin where the sound of the stage and the sound of the theater are all first-rate. It is luckily to be able to sing there. How many generations of actors do we sing like this? When one day they stand in front of an advanced high-powered sound system, they can't find the feeling. We are well aware of their perplexities and not who is wrong. Fortunately, the first Japanese posthumous electro-acoustic rock band who came to China adjusted his time difference with his tremendous sound pressure. From then on, our audio equipment and application technology began to synchronize with the world. There is also a famous Peking opera artist in Tianjin. He often attends several evening parties to sing a few paragraphs. At first, there is no demand for audio. He lifts the microphone and sings. Many sound engineers think that the Beijing opera actor is deep in kung fu and the microphones need not be handled. It is just as nice. He would not think of how to listen to good singing. I tuned for him at a party many years later. He turned to me and said, "The microphone is going to reverberate." - He finally realized what modern sound can do for him!

In order to understand the evaluation criteria for the sound system, it is best to understand these small knowledge to understand the merits of the singing system. In fact, this is the standard.